Education
2024 | Selected artist for Radiant Pavillion Mentorship Program.
2022 – Present | PhD (Art), RMIT University, Australia
2020 | Master of Fine Arts (Distinction), Gold & Silversmithing, RMIT University, Australia
2015 | Bachelor’s Degree (Honours) in Industrial Design, Faculty of Architecture, Design & Urbanism, University of Buenos Aires, Argentina
2014 | International Exchange Programme, Industrial Design, Politécnico di Milano, Italy
Awards & Recognitions
2026 | Selected artist for Rejewelry Competition, USA
2025 | Selected artist for Contemporary Wearables, Biennial Jewellery Award and Exhibition, Toowoomba Regional Art Gallery, Australia
2025 | Diana Morgan Contemporary Jewellery Award (Acquisitive), RMIT University, Australia
2022 | RMIT Research Stipend Scholarship, PhD (Art), RMIT University, Australia
2022 | Diana Morgan Contemporary Jewellery Award (Acquisitive), RMIT University, Australia
2020 | Dean’s Award for Academic Excellence & Contribution, Master of Fine Art, RMIT University, Australia
2020 | Selected Graduate, Emerging Talents – JPlus Awards, Klimt02, Barcelona, Spain 🔗 Klimt02 Selected Graduate Feature
2017 | Finalist, Contemporary Jewellery Competition, Museum of Decorative Arts, Argentina
Solo Exhibitions
2024 | Crafting Connections, RMIT University (as part of Radiant Pavilion Contemporary Jewellery Biennale), Melbourne
2023 | Reflect(in) Place, Melbourne Design Week
2021 | Daily Essentials, Radiant Pavilion, Melbourne, Australia 🔗 Exhibition Link
2020 | In These Challenging Times, Craft Contemporary, Melbourne, Australia 🔗 Exhibition Link
Group Exhibitions
2026 | Futureobjekt x Alta Forma, Melbourne Art Fair, Melbourne, Australia.
2025 | Pearl and pupil, oh the rain! Meanwhile Gallery, Wellington, NZ.
2025 |Contemporary Wearables, Biennial Jewellery Award and Exhibition, Toowoomba RAG, Australia
2025 | The Ring Project, Alta Forma, Melbourne
2024 | Here’s Something I’ve Been Wanting to Show You, Design Hub Gallery, RMIT, Melbourne
2024 | Rings, Taller Eloi, New York City Jewellery Week, NYC, USA
2024 | Anillos, Taller Eloi, Buenos Aires, Argentina
2023 | I Fold, You Pop, They Bend, We Mesh!, Rubicon Ari, Melbourne
2023 | Local Designers Showcase – Jewellery, Furniture & Wallpaper, Geelong Design Week, Australia
2022 | Profile Contemporary Jewellery & Object Award, Australian Design Centre, Sydney
2021 | Talente, Handwerkskammer für München und Oberbayern, Munich, Germany
2020 | MFA Graduate Show Capstone Exhibition, RMIT University, Melbourne 🔗 Exhibition Link
2020 | Emerging Objects, Creative Spaces: Assembly Point, Melbourne, Australia
2020 | An Anthology of Making, Melbourne City Library, Melbourne, Australia
2019 | Perceiving Practice, First Site Gallery RMIT, Melbourne, Australia
2017 | MAD Contemporary Jewellery Challenge, National Decorative Arts Museum, Buenos Aires, Argentina
Upcoming 2026…
May | Ridiculos Cafe Jewellery, Melbourne Design Week
May | Rejewelry Competition, USA
June| A Dash of Thunder in Our Tea, First Site Gallery, RMIT
October| Radiant Pavillion Jewellery Biennale
My everyday experience of living in this world is filled with details of blooming flowers, soft baby hands that caress my hair, shadows that the sunset washes in flickering movements over the walls in my home. I live intensely through these moments. Close observation and attention to these happenings bring me great joy and a sense of presence that allows me to overcome my personal challenges of being. In this small and wondrous bubble, I know I am lucky to live, when thinking of the absurd weight of the global anxiety of war. Milk bottles, orange juice containers, fragments of breakfast debris drift into my studio and return as rings, necklaces, small acts of transformation. A ring that makes drinking coffee awkward. A necklace that once carried juice. In their silliness I find humour, tenderness, and gratitude: my debris is only plastic from my children’s breakfast table, not rubble from a building near my home.At the bench, when I saw-pierce metal, the world falls away and at the same time, I come closer to it. By folding and combining materials in unlikely ways, I search for form as both matter and hope. Painting and beading respond to a soul that clenches to infant spontaneity. Necklaces made of plastic from my daily use carry the weight of time itself, prepared for the centuries of their afterlife. To beautify them is a way of taking responsibility. To wear them is to acknowledge their endurance. These works are gestures of play and care, hopeful offerings, objects that may bring people together through use, and smile in their encounter. Most of all, they are a celebration of life in its more intimate and minimal forms of expression.